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Vivienne Westwood, by Vivienne Westwood, Ian Kelly
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Vivienne Westwood is one of the icons of our age. Fashion designer, activist, co-creator of punk, global brand and grandmother; a true living legend. Her career has successfully spanned five decades and her work has influenced millions of people across the world.
For the first and only time, Vivienne Westwood has written a personal memoir, collaborating with award-winning biographer Ian Kelly, to describe the events, people and ideas that have shaped her extraordinary life. Told in all its glamour and glory, and with her unique voice, unexpected perspective and passionate honesty, this is her story.
For the first and only time, she is both writing and collaborating on a unique personal memoir and authorised biography: partly her own voice, partly through contributions from her vast network of friends, family and associates. Ian Kelly (award-winning biographer of, amongst others, fashion maverick Beau Brummell and the original self-publicist, Giacomo Casanova) brings the insights of a historian and friend of Vivienne to the life and works of one of the major influences of our age in this wonderful, insightful collaboration.
- Sales Rank: #842262 in eBooks
- Published on: 2014-10-09
- Released on: 2014-10-09
- Format: Kindle eBook
- Number of items: 1
Review
"An uproarious picaresque romp through Westwood's wild life." —Daily Telegraph
"This serious biography explores not only Westwood's life and career but also decades of British history and the way in which the fashion industry has developed. . .I consumed the 500-page biography in gulps, cramming it in and then decelerating to wallow in Kelly's sinuous prose." —Wanted
"Feels like one long, fascinating gossip session. . . . A thorough and fitting tribute." —Press Association
About the Author
Dame Vivienne Westwood is a leading fashion designer and political activist, largely responsible for bringing punk fashion into the mainstream. Ian Kelly is the prize-winning author of Beau Brummell, Casanova, and Cooking for Kings.
Most helpful customer reviews
2 of 2 people found the following review helpful.
On reading ... I love her even more
By Martina A. Nicolls
Vivienne Westwood, the book, is part memoir and part biography of the British icon of fashion. It is not really “co-written” by Westwood – it is more “as spoken to Kelly” because her words are in quotations. But they are extensive. Kelly adds detailed commentaries and summaries of her conversations with him. In addition there are lengthy quotations from associates, her brother Gordon, her two sons Ben (from her first husband Derek Westwood) and Joe (from her second relationship with Malcom McLaren). For some readers this may detract from the flow, but I found it okay except for a few times when I had to check who was making the comments.
The book commences with the 2014 Paris week before starting from the beginning (1941) – from then onwards it is a chronological memoir. It sets the scene of the early 1960s at a time when her first husband briefly managed musicians before most were famous, such as The Who, John Lennon, and Eric Clapton – all emerged from art schools, as Vivienne did. It was a time of the “crossover from art to music and from graphics to sales and marketing … into running businesses that fused pop iconography, fashion, music, and happenings.”
After a brief marriage to Derek, it was her relationship with Malcolm McLaren (her brother’s friend) to 1979 that was intrinsic to her fame. McLaren, the provocative British musician, artist, and band manager of Sex Pistols, brought anarchy, radicalism, and “a restive atmosphere” to Westwood. The volatile relationship also brought a “safe island of creative complicity.” Hence Westwood’s punk period began, as did their iconic shop at 430 Kings Road, “the epicentre of a global fashion revolution.” It was where they reinvented and rebranded fashion, starting with embellishments, slogans, and graphics on T-shirts.
The book details the shop, the clothes, the cuttings, the designs, the partnerships, the journey, the “power to disturb” and the “politicization of clothing.” While many viewed it as the “sexually ambiguous fusion of world-worn … razor-sharp mod, threatening rocker … and safety pins” others viewed it as “degenerate, puerile and willfully ugly.” The book continues with the business, the expansions, the designing, and the making of the fashion.
Vivienne Westwood, the maverick ideas person, was on her own from 1982. While her designs were having a wider impact she “needed to find better, faster and more responsive manufacturers.” During her Italian period she added her name to her designs, and a logo. Her dictum was now, “the more creative you are the more you need a structure.” She moved into her collections and high culture period, as well as human and ecological activism.
The book concludes with her relationship with her husband, designer, and creative partner Andreas Kronthaler, twenty-five years her junior. It tells of their first meeting in 1989 when she was 48 and he was her 23-year-old student. Kronthaler gives a detailed account of his impression the very second he saw her. The rest is history.
1 of 1 people found the following review helpful.
McLaren Bashing
By Lesley Jenkins
It is no secret that, ever since I read "From A to Biba" and "Quant by Quant", there has been a special place in my daydreams for an assuredly idealised and somewhat chronologically inaccurate 1970s King's Road, London. I've often imagined bobbing into Biba for some knee-boots and popping into Mary Quant for some pop-art makeup*. But until I read this bio/auto-bio, I never, but never, envisaged wandering into Dame Vivienne's "Worlds End" store on that same blue-skyed Saturday morning. Perhaps because it is in such a different world altogether from the non-challenging swinging London I have always imagined. I really didn't know that it (and its predecessors, "SEX" for one had even existed. Punk had shops? Who knew?). "Vivienne Westwood" by the woman herself and a journalist who doesn't seem to have any real interest in fashion has set me right. The book is not great literature - the writing is clunky and not fully synthesised - Westwood's lengthy quotes are strung together with some breathless praise (and McLaren bashing). I could have done with more about the process of design and more details about the actual -- err -- clothes, but if you are at all interested in fashion, twentieth-century London, punk or that sort of thing, this is a must-read. (But skip the last enviro-preachy couple of chapters). Mrs Westwood has apparently never suffered from a moment's self-doubt or uncertainty about her own talent or peerless moral goodness which makes for an invigorating read but at times some rather dodgy product.
1 of 1 people found the following review helpful.
The best, most inspiring memoir I have ever read
By DryWry
Vivienne's story, her vast influence on culture, the power she has earned and how she now uses it to fight climate change-- is a lesson to us all. The best, most inspiring memoir I have ever read.
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